Best Pop-Up Art Show 2024 | 'All In' | Megalopolitan Life | Phoenix
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Hundreds of people showed up at Tempe's Danelle Plaza on a Thursday night in April, not for a punk concert at Yucca Tap Room, but an art show. "All In," organized by local artist and art teacher Matt Dickson, was intended to be a one-night-only show featuring the works of 50 local creatives. Dickson wanted the lineup of talent to reflect a diversity of ages, styles and location in the Valley, and gave only one direction: "I said, 'Show me the thing you love the most,'" he told New Times earlier this year. The result was a fascinating assembly of paintings by local artists including Lalo Cota, Rachel Bess, Luster Kaboom, Champ Styles, Such Styles, JJ Horner, Manic Tongue, Kyllan Maney, NXOEED and JB Snyder. The show drew such a crowd that it spilled out of the bare-bones storefront and into the parking lot, and Dickson decided to keep the show open over the weekend to allow more people to view it. It was exactly the kind of DIY art show Tempe needs more of, which is why we're glad to see Dickson has another show planned for the same space in October.

Do we love Canal Convergence because it takes place the second week of November? No, but the gorgeous weather doesn't hurt. The blessedly crisp air is the perfect setting for Scottsdale Public Art's annual festival dedicated to art and sustainability, which is part of the reason it draws so many people down to the Scottsdale Waterfront. But the main appeal is of course the art and the extensive schedule of activities. Scottsdale Public Art brings innovative, interactive works from around the world to the Valley to the delight of patrons of all ages. In recent years, pieces have included a giant octopus to climb on, floating lotuses that shoot fire in time to music and a light-up bridge. All the art is free to see, as are Canal Convergence's many musical performances and a good number of the tours and art activities. It all adds up to an event we eagerly anticipate each fall.

The tiny stretch of central Phoenix road known as the Oak Street Alley is one of the most delightful parts of the city. The concrete walls that line the street are canvases for the city's artists, turning the area into an open-air gallery any time of the day or night. You could drive through at a snail's pace, but we prefer to park nearby and check out the murals on foot. Some of the pieces, like Maggie Keane's charming ode to A-ha's "Take on Me" music video, have been up for years. But many sections of wall get a new look each spring during the Oak Street Alley Mural Festival, a weekend in which the public crowds the alley while artists paint new creations. It's one of our favorite events of the year.

It's likely that you've never noticed the walls and floors throughout Phoenix Sky Harbor International Airport. Blame it on the frustrating push through security and the sprints across the cavernous hallways to one of the 86 gates of Terminal 4. But the airport's two terminals, the terrazzo floors of the PHX Sky Train corridors and even the Rental Car Center might surprise you. Why? Because of the impressive number of public art installations showcasing the work of Arizona artists and curated by the Phoenix Airport Museum. It started in 1962 with Paul Coze's "The Phoenix," a giant, three-panel, 75-foot mural that was originally located over the main hall in the Terminal 2 lobby when it opened in 1962. When the terminal was decommissioned in 2020, the mural — the first piece of city-commissioned public art chosen by a public vote — eventually made its way to the rental car center in 2021. The iconic work includes 52 different materials and 15 canvases and pays tribute to the first prehistoric inhabitants of the region, depicts a blazing phoenix and, with outstretched hands, honors Arizona's agriculture, ranching and mining history.

When Valley Metro's Thelda Williams Transit Center and the light rail's northwest extension debuted earlier this year, it provided riders with both new destinations and a collection of dynamic, vibrant public art to enjoy. Seven pieces were added to stations along Valley Metro's Northwest Light Rail Extension, including such standouts as Oregon-based sculptor Pete Goldlust's playful UFO-themed work "The Travelers" at Dunlap and 25th avenues and local artist Mary Shindell's divine "Ocotillo Rise" murals inspired by desert botanicals at the Metro Parkway Station. The crown jewel is Tempe artist Oliverio Balcells' evocative and vibrant "On a Journey with You," a multipart tile mosaic adorning 66 risers of the stairs leading to the second level of the Thelda Williams Transit Center. The colorful work features Costa's hummingbirds taking flight amid desert flowers, a flowing river and symbols inspired by the Wixárika, an Indigenous culture native to western Mexico. According to Balcells, the birds represent "relationships, admiration, community and love," while the water symbolizes the light rail and the journeys it will lead people on. It creates a stunning, eye-catching sight for visitors to the transit center heading out on their own journeys.

Grand Avenue is one of Phoenix's most colorful and artistic thoroughfares, with plenty of stores, restaurants and bars to stop into. Just east of Bacanora, which has garnered accolades from national food critics, walk past trees covered in yard afghans and look up at what hangs from them: flowers, plush toys and ... trolls. The gang of trolls on Grand are the cutest and most formidable public gang of stuffed animals that we've seen. Placed together among a diverse array of other toys, the trolls seem to have their own special society. It's a joy to see them all in solidarity, against the odds, weathering Phoenix's summers and basking in the glory of its winters.

Want to talk to local artists and learn about their work? Go to Eye Lounge on a First or Third Friday. The artist-run gallery is one of our must-stop spaces during the Roosevelt Row artwalks. The exhibits are always worth seeing; 2024 offerings included "Sex and Sovereignty," a photography exhibition by Amanda Mollindo about the ongoing issue of reproductive freedom, and "Your Money & Your Life" by Amy Bird, a collection of currency collages that challenged viewers to think about money in different ways. But here's what we love about Eye Lounge on a First Friday: More likely than not, you'll find the artist whose work is on the walls greeting you at the entrance. The tiny space inspires conversation, allowing those of us who may usually be too shy to talk to an artist to feel comfortable interacting. We invariably leave Eye Lounge a little more knowledgeable about the work and a little more connected to the Valley's art scene.

It's a laudable accomplishment for any business to celebrate a 25th anniversary. We're especially happy to see it when the business is an art gallery, and downright thrilled when said gallery is on Roosevelt Row, a part of town that has seen a lot of change — not all of it good — over the past decade. Kimber Lanning's Modified Arts has been a staple of downtown Phoenix for a quarter-century, and its anniversary show included works by 25 artists "who have left an indelible mark on the gallery's rich history," according to the gallery statement. Ann Morton, Jeff Falk, Christopher Jagmin, Monica Martinez — some of the Valley's most influential and well-known artists contributed to the show, which made the exhibit both a meaningful look at our local art scene and a well-deserved celebration of Modified.

We made a critical error when we visited "Twin Flames: The George Floyd Uprising From Minneapolis to Phoenix" at ASU Art Museum early this year: We didn't bring tissues. The powerful and heartbreaking exhibit included hundreds of signs collected from the streets of Minneapolis after protests related to the 2020 murder of George Floyd by police officers. Signs that read "My Black Family Matters," "Justice for George" and "You Don't Need Tear Gas – We're Already Crying" reflect the sorrow, anger and frustration felt in the wake of Floyd's murder. ASU professor Dr. Rashad Shabazz was integral in bringing the exhibit to the Valley and did so, in part, because of the ongoing problem of police violence in Arizona. For months, the public came to see the signs, bearing witness to one city's anguish and leaving inspired to effect change in their own.

How lucky were we? "Barbie" was a summer blockbuster film last year, but even before that happened, Phoenix Art Museum had already contracted to bring the "Barbie: A Cultural Icon" exhibit to town. So while everyone was thinking pink, we had a Barbie wonderland at our fingertips. The exhibition traces the way that Barbie and American culture have influenced each other for 65 years, and included dozens of well-preserved dolls from Barbie's long history. In addition, fun photo ops like Barbie and Ken boxes and a real pink Corvette visitors could sit in created long lines on busy days. The exhibit was a heck of a lot of fun, but the real win was the way it brought generations together. Seeing grandmothers, moms and daughters peruse the show and exclaim over the dolls was a heartwarming sight.

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