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Recent Articles
Recent Articles by Saby Reyes-Kulkarni
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National Features >
SF Weekly
A blogger steals someone else's life story and calls it her own.
By Ashley Harrell
Westword
How William Orr's quest for better, cheaper gas became a crime.
By Alan Prendergast
Miami New Times
The family of a dead judge blames a creeping fungus in the federal courthouse.
By Tim Elfrink
The Pitch
I worked at Kmart with John McCain's director of strategy.
By Alan Scherstuhl
Darkness Calls
Published on July 17, 2008
While parents have predictably freaked out over the social menace imposed in turn by the blues, jazz, secular R&B, rock and roll, heavy metal, rap, and techno, they never seemed to bat an eyelash over Steely Dan. In fact, they seemed to dig the band more than anyone. And its a testament to Walter Becker and Donald Fagens subtlety that they managed to get away with some of the darkest music ever committed to tape. That the pair scored a string of smash hits which became ubiquitous cultural staples would be shocking and downright subversive if the music werent so smooth. In their prime, Becker and Fagen had an untouchable knack for disguising complex, challenging jazz as easily-digested pop. And you may never have noticed, but within those ultra-polished jazz-pop grooves lurks a shadow world of drugs, creeping sexual desire, domestic violence, and world-weary ennui -- which becomes all-too-believable when you read between the lines. Essentially a nostalgia act now, Steely Dans underlying gloom helps the music retain a contemporary edge, while Becker and Fagens monumental body of work will forever stand aside the all-time giants of composition.
Sun., July 20, 7:30 p.m., 2008