National Features >

  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

Cowboy Junkies

By Saby Reyes-Kulkarni

Published on May 29, 2008

On the one hand, you can look at the nagging tendency of veteran Canadian acts to hover at cult-level popularity in the U.S. as a bad thing. On the other hand, a group like Cowboy Junkies has arguably benefitted from not getting huge. Certainly, the band's audience has. Household names who have managed to maintain their artistic integrity for the past 22 years, the Junkies have quietly redefined (and continue to redefine) the parameters of roots and acoustic-based rock. For whatever reason — perhaps it's the whole outside-looking-in thing — Canadians often capture that elusive Americana spirit more accurately than our bands do down here. Just ask fans of Neil Young and the Band. And just like those two acts, the Junkies have verged on creating a genre unto themselves, something that's unmistakably rock but relies on quiet dynamics and sensitivity to pack its punch. The band returns to Arizona armed with material off a string of captivating releases since 2000, including Early 21st Century Blues, a set of cover songs about war, despair, and death that epitomizes the band's expertise at cloaking dark subjects in its gentle-rock sheen.



Phoenix New Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com