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Recent Articles
Recent Articles by Steve Jansen
The Devils arent out of the woods yet, but theyre close
Dudes heed Austin bands otherworldly siren song
Uh not really that kind of party
IDM/breakbeat crews dancing with the stars
Photog snapped a few masterpieces between his real pursuits
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National Features >
City Pages
Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."
By Ben Palosaari
Riverfront Times
The nation's best known--and perhaps only--demonologist keeps up the
struggle against Satanic spirits.
By Aimee Levitt
Miami New Times
Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.
By Lee Klein
Village Voice
A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.
By Tony Ortega
Bob Ravenscroft Trio
Intersections I
(Ravenswave)
Published on December 06, 2007
Bob Ravenscroft's latest, Intersections I, finds the accomplished pianist resting comfortably in what intimidates so many jazz cats: space. This modern-jazz album begins with "Dreams," a 14-minute tune that sets the moody formula for the Ravenscroft originals and rests between the stretched-out grooves of Keith Jarrett's famed trio and free-jazz cramming assassins. Ravenscroft's bold, full passages on his custom nine-foot piano — an instrument designed and built by Scottsdale's Spreeman Piano Innovations and aptly named the "Ravenscroft" — are never short of passion and energy. And with the help of Steve Millhouse's rich, heavy bass lines and percussionist Rob Schuh (who explores the contours of his kit with various drum whackers), the disc retains a spontaneity despite the minimalism — especially on "Velocities" — that's perfect for the ponderer. From pleasing beginning to savory end, the Scottsdale-based musician demonstrates that space really is the place.