Blogs
Fri Oct 10, 10:26 AM
Thu Oct 9, 5:34 PM
Wed Oct 8, 4:13 PM
Mon Oct 6, 12:53 PM
Fri Oct 10, 3:20 PM
Fri Oct 10, 3:19 PM
Fri Oct 10, 1:04 PM
Fri Oct 10, 11:24 AM
Recent Articles
Recent Articles by Niamh Wallace
No, not the kind you get in a tanning booth
Photogs braved the pit for first-wave images
The underground is where its always been
Installation continues PAMs love affair with the Far East
NYC free spazzers may very well destroy Trunk Space
No related articles found
National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
Tha Roots
Published on November 29, 2007
In Bakari Kitwana's 2003 book The Hip Hop Generation, he argued that "although hip hop has secured its place as a cultural movement, its biggest challenge lies ahead," referring to the form's potential as a mobilizing political force. We imagine a statement like this to be eminently quease-inducing to certain parties currently in power, and it speaks to the vaulted role hip-hop holds in society. The Hip Hop Project, a documentary funded by unlikely partners Queen Latifah (no stranger to rhymin' herself) and Bruce Willis, takes hip-hop out of the bling-and-ho context and back to its street-corner roots by following several kids who collaborate on a community hip-hop album. A panel discussion and performances by local b-boys and b-girls follow.
Fri., Nov. 30, 7 p.m., 2007