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Recent Articles
Recent Articles by Peter Breslin
And were not talking about Ron Paul
Cowpokes en français? That aint no bull.
San Francisco artists never met a stranger
Huddled masses find a home in authors extraordinary America
And were not talking about Ron Paul
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National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
Native Uprising
To hell with blowing hair and feathers
Published on October 04, 2007
A friend calls the stereotypical Native American art peddled in the Southwest and around the world -- normally a large canvas with pastels, a noble Indian on horseback, vast mesas and sands colored by the sun -- blowing hair and feathers. This played-out label leads to two questions. First, Why are we pals with this nincompoop? The second, according to Joe Baker, curator of the Remix: New Modernities in a Post Indian World exhibit, is, Why are indigenous artists not allowed to celebrate the present as other artists do? Why do we require of Native artists a myth or fantasy, an iconography?
In Remix, 15 contemporary Native artists explode expectations with multimedia art addressing varied hip facets of right now, including Apache skateboard kids and Indian caricatures in video games. Cree artist Kent Monkman appears as drag queen Miss Chief Share Eagle Testickle, while Anna Tsouhlarakis of Navajo/Greek heritage shows the video Lets Dance, which traces her steps as she attempts to learn Irish folk and Haitian voodoo-dance moves.
Oct. 6-April 27, 2007